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Mauricio Lasansky:  Catalogue of Prints

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Black Print (1947)

Edition: unique print, trial proof.
23.82 x 17.62 in.
60.3 x 44.8 cm.

Intaglio: engraving, soft ground, aquatint, etching, open-bite areas, burnishing and scraping.
Two plates: two copper plates printed in black ink on black paper; the plates are positioned side by side. One is the master plate of Winter and the other is the master plate of Spring while still in state form.

Note: this print was later refined and printed as Black Print (1978).

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My Boy (1947)

Edition: 35
16.93 x 14.0 in.
43.0 x 35.6 cm.

Intaglio: engraving, etching, aquatint, soft ground, open-bite areas, electric stippler, burnishing, extensive scraping.
Five plates: two copper master plates, three copper color plates. Six states of this print are believed to exist.

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My Wife (1947)

Edition: 35
Color plates:
21.25 x 16.62 in.
58.3 x 42.2 cm.
Master plates:
17.93 x 14.87 in.
45.6 x 37.7 cm.

Intaglio: engraving, etching, aquatint, soft ground, water ground, burnishing and scraping.
Six plates: one copper master plate, five copper color plates. This plate was used for the print My Wife and Thomas (1959).

This print is available through the Lasansky Gallery. Email us for details.

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Self-Portrait (1948)

Edition: 50
23.93 x 15.82 in.
60.8 x 40.2 cm.

Intaglio: engraving, etching, aquatint, soft ground, open-bite areas, scraping and burnishing.
Three plates: one copper master plate, two zinc color plates.

This print is available through the Lasansky Gallery. Email us for details.

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Pieta (1948)

Edition: 35
19.25 x 28.0 in.
49.0 x 71.1 cm.

Intaglio: engraving, etching, aquatint, soft ground, lift ground, grease ground, electric stippler, extensive scraping and burnishing.
Nine plates: one copper master plate, eight zinc color plates. Master plate is printed twice in black.

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El Pajaro (1948)

Edition: 50
28.87 x 22.32 in.
73.3 x 56.6 cm.

Intaglio: engraving, etching, aquatint, extensive scraping and burnishing, scorped-out white areas, drypoint, several large open-bite areas, varnish resist.
One plate: one copper plate, printed in black.

This print is available through the Lasansky Gallery. Email us for details.

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Aitana (1948)

Edition: 35
26.75 x 11.83 in.
67.9 x 30.1 cm.

Intaglio: engraving, etching, soft ground, aquatint, grease ground, electric stippler, drypoint touches.
Five plates: one copper master plate, four zinc color plates.

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Near East (Pieta) (1948)

Edition: 35
19.18 x 23.87 in.
48.1 x 60.7 cm.

Intaglio: engraving, etching, soft ground, aquatint, grease ground, electric stippler, deep open-bite areas, burnishing and scraping.
Seven plates: one copper master plate printed in black, six zinc color plates.

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Self-Portrait (1949)

Edition: 25
13.0 x 9.87 in.
33.1 x 25.1 cm.

Intaglio: engraving, etching, soft ground, scraping and burnishing.
One plate: one copper plate.

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Self-Portrait (In Frame) (1950)

Edition: 50
Color plates:
21.06 x 19.0 in.
53.4 x 48.4 cm.
Master plate:
15.25 x 16.82 in.
38.8 x 42.8 cm.

Intaglio: engraving, etching, aquatint, electric stippler, scraping and burnishing.
Three plates: one copper plate printed twice, first in yellow ochre, second in black; two zinc color plates.

This print is available through the Lasansky Gallery. Email us for details.

Click on image to enlarge.
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Bodas de Sangre (1951)

Edition: 50
20.62 x 28.67 in.
51.7 x 73.0 cm.

Intaglio: engraving, etching, gouged-out white areas, aquatint, soft ground, resists, lift ground, electric stippler, grease ground, extensive scraping and burnishing.
Nine plates: one copper master plate, eight zinc color plates. Inspired by Garcia Lorca.

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